It is probably longer than it needs to be but it doesn't ever really drag; there is some time at the end of the film after the mystery has been solved that could have been reigned in, but in fairness they extend the character of Lisbeth so it wasn't time wasted. [7], The writing process consumed approximately six months, including three months creating notes and analyzing the novel. [82] The Wall Street Journal's Joe Morgenstern praised Cronenweth's cinematography, which he thought provided for glossy alterations in the film's darkness; "Stockholm glitters in nighttime exteriors, and its subway shines in a spectacular spasm of action involving a backpack. "[22] The duo wanted to expose the novels' pivotal themes, particularly misogyny. It was not just about understanding the physicality of the locations, but the metaphysics of them, and how the way people live comes out through design. Craig is strong in the lead as he plays quite a bookish type. They deduce that Harriet is alive and in hiding; traveling to London, they confront Harriet's cousin, Anita, only to discover she is Harriet. The film similarly led the field in South Africa. The opening credits of the US version threw me even more as I wasn't sure what these visceral figures were about or if they were indicative of the film to come. [78] Puig noted a surfeit of "stylistic flourishes" and "intriguing" changes in the narrative, compared to the original film. Harriet reveals that Gottfried and Martin sexually abused her for years, and that Martin continued the abuse after she killed Gottfried in an act of self-defense. It's possible that it can be two and three, but let's concentrate on this one. [24] Production mostly took place at multiple locations in the city's central business district, including at the Stockholm Court House. Finding a structure for the soundtrack was arguably the most strenuous task. A revelation in the eyes of Entertainment Weekly's Owen Gleiberman, he proclaimed that her character was more important than "her ability to solve a crime". Fincher said "And we all almost pissed ourselves, we were laughing so hard. This English-language adaptation of the Swedish novel by Stieg Larsson follows a disgraced journalist, Mikael Blomkvist (Daniel Craig), as he investigates the disappearance of a wealthy patriarch's niece from 40 years ago. Many of Miller's sketches contained a liquid-like component, and were rewritten to produce the "gooey" element that was so desired. Martin brags about killing and raping women for decades, as did his father, who sexually abused him and Harriet, but denies murdering Harriet. "[5] Principal photography relocated in October to Uppsala. [43][44] Sony's target demographics were men and women over the age of 25 and 17–34. In creating the "cyber" look for Salander, Miller said, "Every time I would show David a design he would say, 'More Tandy!' He said, ‘Orinoco Flow!’ Everybody looked at each other, like, what is he talking about? Most Female-Empowering Popular Girl Power Movie? "[31], The title sequence includes abundant references to the novel, and exposes several political themes. The screenwriter recalled, "They sent it to me and said, 'We want to do this. The film was wholly shot using Red Digital Cinema Camera Company's RED MX digital camera, chosen to help evoke Larsson's tone. It was directed by David Fincher with a screenplay by Steven Zaillian. The Girl with the Dragon Tattoo [125] The following year, Fincher stated that a script for The Girl that Played with Fire had been written and that it was "extremely different from the book," and that despite the long delay, he was confident that the film would be made given that the studio "already has spent millions of dollars on the rights and the script". Commentators at the event predicted that while the film would become a contender for several accolades, it would likely not become a forerunner in the pursuit for Academy Award nominations. Her cousin, Anita, smuggled her off the island and let Harriet assume her identity in London, though Anita and her husband were later killed in a car accident. After discussing with Fincher the varying soundscapes and emotions, the duo spent six weeks composing. "We wanted to create the sound of coldness—emotionally and also physically," he asserted, "We wanted to take lots of acoustic instruments [...] and transplant them into a very inorganic setting, and dress the set around them with electronics. 11 of 17 people found this review helpful. She pursues him on her motorcycle until he runs off the road and hits a propane tank, blowing up the car and killing him. [19] Zaillian noted that, as time progressed, the writing accelerated. "[30], Tim Miller, creative director for the title sequence, wanted to develop an abstract narrative that reflected the pivotal moments in the novel, as well as the character development of Lisbeth Salander. [49] India and Vietnam releases were abandoned due to censorship concerns.
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